Mandarin

Ettore Sottsass's Mandarin, with its repetition of squares and rectangles, presents itself to the observer as a solemn pedestal rather than a table. However, the Memphis irony that plays with this ambiguity is not lacking. Mandarin's clear glass top rests on an intriguing white frame with industrial shapes, supported by sturdy legs that stand out like true spatial totems. Painted metal table with wooden legs covered in decorative laminate and a tempered glass top.